Below is the screenplay of our opening sequence. I was in charge of making it. A screenplay is writing that is intended to be turned into film. It's an indication of what you want the audience to see and hear in that big dark room called a cinema should the film ever be made. Brian had taken control to up with the screenplay.
SCREENPLAY
“DORMEZ MES ENFANTS”
By
Brian Oblitey
Oliver Iarrobino
Nicole Storey
December 12, 2013
The scene will start with a black screen accompanied by non-diegetic sound of woodland.
The main conversation is going to occur on a deserted street.
Jay: Only a few miles away from it now.
Logan: At last, it’d better be worth it.
Jay: It will be, stop worrying man.
Sarah (whispering to Jay and laughing): Look at William, bless him. We’re not even there yet but he’s trembling like a leaf!
Jay (approaching William): Why aren’t ya talking?
William (continues staring at the ground, pauses): I do not have anything to say.
Logan: You definitely won’t have anything to say when you’ll “it”.
Jay: Shut up Logan.
Logan: I was joking calm down, banter innit?
*Long shot from the woods, watching the characters walking away*
Sarah: Why is this street so quiet?
Logan: It could be quieter if you shut up.
Sarah (gently pushes Logan in the arm, sarcastically): Aha, funny.
*Sarah holding her phone up in the air*
Sarah: There’s no signal either!
Jay: William?
William: Yes?
Jay: What is your biggest phobia?
*Sarah and Jay turn their heads to William*
William: Erm… I’d say ghosts, but since they don’t exist, I’d say loneliness.
*Jay, Logan and Sarah laugh but William does not notice*
Logan: Wait, let me tie my laces *pushes William out of his way*
*Logan bends over and ties his laces*
Jay: Hurry up, it’s getting dark, we’ll miss it.
*A rustling sound is heard but the character does not notice*
Jay (suspiciously): Did you hear that noise?
William (scared but trying to hide his fear): What noise?
*Gravel sounds are heard as Logan finishes tying his laces up*
*Hands appear from behind and grab Logan*
*Logan disappears, the camera cuts*